Serenade after Plato's "Symposium"

Last updated
Serenade, after Plato's Symposium
Serenade by Leonard Bernstein
Leonard Bernstein - 1950s.JPG
The composer in the 1950s
Dedication Serge and Natalie Koussevitzky
PerformedSeptember 11, 1954 (1954-09-11): La Fenice, Venice
Movementsfive
Scoring
  • violin
  • strings
  • percussion

The Serenade, after Plato's Symposium, is a composition by Leonard Bernstein for solo violin, strings and percussion. He completed the serenade in five movements on August 7, 1954. [1] For the serenade, the composer drew inspiration from Plato's Symposium , a dialogue of related statements in praise of love, each statement made by a distinguished speaker. The seven speakers who inspired Bernstein's five movements are: [1]

Contents

I. Phaedrus: Pausanias – marked Lento and Allegro
II. Aristophanes – marked Allegretto
III. Eryximachus, the doctor – marked Presto
IV. Agathon – marked Adagio
V. Socrates: Alcibiades – marked Molto tenuto and Allegro molto vivace

Although the Serenade is scored for violin, strings, harp and percussion (timpani and five more percussionists playing side drum, tenor drum, bass drum, triangle, suspended cymbal, xylophone, glockenspiel, chimes, Chinese blocks, tambourine), the violin is the most prominent solo instrument. The composition is about a half-hour in length. [1]

Commissioned by the Koussevitzky Foundation, the Serenade is dedicated to "the beloved memory of Serge and Natalie Koussevitzky". The premiere was conducted by Bernstein himself on September 12, 1954, at La Fenice (Venice), with the Israel Philharmonic Orchestra and violinist Isaac Stern. It was also first recorded by Stern and Bernstein for Columbia Records on April 19, 1956, in New York City, with the Symphony of the Air. [1]

Related Research Articles

<span class="mw-page-title-main">String orchestra</span> Musical ensemble

A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players, the viola, the cello, and usually, but not always, the double bass.

<span class="mw-page-title-main">Concerto for Orchestra (Bartók)</span> Orchestral work by Béla Bartók

The Concerto for Orchestra, Sz. 116, BB 123, is a five-movement orchestral work composed by Béla Bartók in 1943. It is one of his best-known, most popular, and most accessible works.

<i>Music for Strings, Percussion and Celesta</i> 1937 composition by Béla Bartók

Music for Strings, Percussion and Celesta, Sz. 106, BB 114 is one of the best-known compositions by the Hungarian composer Béla Bartók. Commissioned by Paul Sacher to celebrate the tenth anniversary of the chamber orchestra Basler Kammerorchester, the score is dated September 7, 1936.

<i>Capriccio Espagnol</i>

Capriccio espagnol, Op. 34, is the common Western title for a five movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. It received its premiere on 31 October 1887, in St. Petersburg, performed by the Imperial Orchestra conducted by the composer. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы.

<span class="mw-page-title-main">Symphony No. 94 (Haydn)</span> Musical work of Joseph Haydn, composed in 1791

The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.

<span class="mw-page-title-main">Symphony No. 1 (Beethoven)</span> 1800 symphony by Ludwig van Beethoven

Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.

<span class="mw-page-title-main">Serenade</span> Musical composition or performance

In music, a serenade is a musical composition or performance delivered in honour of someone or something. Serenades are typically calm, light pieces of music. The term comes from the Italian word serenata, which itself derives from the Latin serenus. Sense influenced by Italian sera "evening", from Latin sera, fem. of serus "late".

Sergei Prokofiev began his Violin Concerto No. 1 in D major, Op. 19, as a concertino in 1915 but soon abandoned it to work on his opera The Gambler. He returned to the concerto in the summer of 1917. It was premiered on October 18, 1923 at the Paris Opera with Marcel Darrieux playing the violin part and the Paris Opera Orchestra conducted by Serge Koussevitzky. Igor Stravinsky made his debut as conductor at the same concert, conducting the first performance of his own Octet for Wind Instruments.

Symphony No. 3 was Aaron Copland's final symphony. It was written between 1944 and 1946, and its first performance took place on October 18, 1946 with the Boston Symphony Orchestra performing under Serge Koussevitzky. If the early Dance Symphony is included in the count, it is actually Copland's fourth symphony.

<span class="mw-page-title-main">Symphony No. 2 (Bernstein)</span> Piece by Leonard Bernstein

Leonard Bernstein's Symphony No. 2 The Age of Anxiety is a piece for orchestra and solo piano. The piece was composed from 1948 to 1949 in the United States and Israel, and was revised in 1965. It is titled after W. H. Auden's eponymous poem, and dedicated to Serge Koussevitzky.

<span class="mw-page-title-main">Violin Concerto (Ligeti)</span>

The Concerto for Violin and Orchestra by György Ligeti is a violin concerto written for and dedicated to the violinist Saschko Gawriloff. A performance of the work lasts about 28 minutes.

Rustic Wedding Symphony, Op. 26 is a symphony in E-flat major by Karl Goldmark, written in 1875, a year before his renowned Violin Concerto No. 1. The symphony was premiered in Vienna on 5 March 1876, conducted by Hans Richter. Johannes Brahms, who was a frequent walking companion of Goldmark's, and whose own Symphony No. 1 was not premiered until November 1876, told him "That is the best thing you have done; clear-cut and faultless, it sprang into being a finished thing, like Minerva from the head of Jupiter". Its first American performance was at a New York Philharmonic Society concert, conducted by Theodore Thomas on 13 January 1877.

The Symphony in G minor was the only completed symphony written by Ernest John Moeran. He wrote it in 1934–37. It is in four movements.

<span class="mw-page-title-main">Symphony No. 11 (Villa-Lobos)</span>

Symphony No. 11 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1955. A performance lasts about twenty-five minutes.

The Symphony No. 3 is a composition for orchestra by the American composer Ned Rorem. The work was first performed by the New York Philharmonic under the direction of Leonard Bernstein at Carnegie Hall on April 16, 1959.

<span class="mw-page-title-main">Violin Concerto (Previn)</span> Violin concerto by André Previn

The Concerto for Violin and Orchestra "Anne-Sophie" is a violin concerto by André Previn. It was composed in 2001 by request of the Boston Symphony Orchestra for Anne-Sophie Mutter. Previn conducted the first performance in March 2002 in Boston. The same performers recorded the work in 2003, and received a Grammy Award for it in 2005.

<i>Divertimento</i> (Bernstein) 1980 composition by Leonard Bernstein

Divertimento, or Divertimento for Orchestra, is a suite of eight orchestral bagatelles by American composer Leonard Bernstein. Completed in 1980 and written to celebrate the centenary of the Boston Symphony Orchestra, it is well-known for featuring the notes B and C in most of its melodic material.

References

  1. 1 2 3 4 Huscher, Philip. "Serenade, after Plato's Symposium]" (PDF). Chicago Symphony Orchestra . Retrieved 24 August 2018.

Sources